The American Novel After Ideology, 1961–2000 okumak kayıt olmadan

The American Novel After Ideology, 1961–2000

Tarih ve Eleştiri

Claims of ideology's end are, on the one hand, performative denials of ideology's inability to end; while, on the other hand, paradoxically, they also reiterate an idea that 'ending' is simply what all ideologies eventually do. Situating her work around the intersecting publications of Daniel Bell's The End of Ideology (1960) and J.D. Salinger's Franny and Zooey (1961), Laura Rodrigues argues that American novels express this paradox through nuanced applications of non-realist strategies, distorting realism in manners similar to ideology's distortions of reality, history, and belief. Reflecting the astonishing cultural variety of this period, Rodrigues examines The American Novel After Ideology, 1961 - 2001 reads Franny and Zooey, Carlene Hatcher Polite's The Flagellants (1967), Leslie Marmon Silko's Almanac of the Dead (1991), and Philip Roth's The Human Stain (2001) alongside the various discussions around ideology with which they intersect. Each novel's plotless narratives, dissolving subjectivities, and cultural codes organize the texts' peculiar relations to the post-ideological age, suggesting an aesthetic return of the repressed.

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25 Şubat 2018 14,8 x 0,7 x 21 cm 28 Şubat 2018 Collectif 21,6 x 0,2 x 27,9 cm Emily Grace Kolektif Insight Editions 21 x 0,5 x 29,6 cm 22 Mayıs 2016 21,6 x 0,6 x 27,9 cm 23 Temmuz 2017 14,8 x 0,5 x 21 cm J B SBoon 12 Ekim 2016 12 Eylül 2017 edition cumulus 21 x 0,5 x 29,7 cm

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