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Music, Pantomime and Freedom in Enlightenment France

This book explains the relationships between music, pantomime and freedom in pre-Revolutionary France. It argues that composers and performers recognized their agency when they attempted, from the 1730s through the end of the Old Regime, to revive a lost art called 'pantomime' for their compositions. In musical settings of pantomimes in French operas and instrumental works, leading composers of the time - Rameau, Rousseau, Gluck, and Salieri - used pantomime as a type of expressive dance and acting style that marked an aesthetic rupture between Louis XIV's absolutist governance and the Enlightenment ideals of free expression. In musical settings of pantomime, these composers cultivated various forms of freedom theorized in Enlightenment writings: artistic freedom for the composer; freedom as self-governance; interpretive freedom for spectators; freedom of action for performers; and freedom from dance convention.Thus, pantomime was not only a dance genre; it also functioned as an expressive medium for top performers and invited spectators to draw their own interpretative conclusions. Placing the cultural phenomenon of pantomime in the intellectual context of the Enlightenment, the book explains how composers helped develop thinking and feeling subjects in pre-Revolutionary France.HEDY LAW is Assistant Professor of Musicology at the University of British Columbia, Vancouver.

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edition cumulus 16 Ekim 2020 Insight Editions Kolektif 23 Temmuz 2017 Emily Grace 12 Eylül 2017 21,6 x 0,2 x 27,9 cm 25 Şubat 2018 21 x 0,5 x 29,7 cm 28 Şubat 2018 22 Mayıs 2016 J B SBoon 14,8 x 0,7 x 21 cm Collectif 21,6 x 0,6 x 27,9 cm 21 x 0,5 x 29,6 cm 14,8 x 0,5 x 21 cm
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Sürüm ayrıntıları
yazar Hedy Law
isbn 10 178327560X
isbn 13 978-1783275601
Yayımcı The Boydell Press
Boyutlar ve boyutlar 15.6 x 1.75 x 23.39 cm
Tarafından yayınlandı Music, Pantomime and Freedom in Enlightenment France 16 Ekim 2020

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