Manipulating the Masses: Woodrow Wilson and the Birth of American Propaganda okumak kayıt olmadan

ZIP 6.6 Mb
RAR 6.7 Mb
EXE 10.4 Mb
APK 5.2 Mb
IOS 8.7 Mb
Manipulating the Masses: Woodrow Wilson and the Birth of American Propaganda

Manipulating the Masses tells the story of an enduring threat to American democracy that arose out of World War I: the establishment of pervasive, systematic propaganda as an instrument of the state. During the Great War, the federal government exercised unprecedented power to shape the views and attitudes of American citizens. Its agent for this was the Committee on Public Information (CPI), established by President Woodrow Wilson one week after the United States entered the war in April 1917. Driven by its fiery chief, George Creel, the CPI established a national newspaper, cranked out press releases, and interfaced with the press at all hours of the day. It spread the Wilson administration’s messages through articles, cartoons, books, and advertisements in newspapers and magazines; through feature films and volunteer Four Minute Men who spoke during intermission; through posters plastered on buildings and along highways; and through pamphlets distributed by the millions. It enlisted the nation’s leading progressive journalists, advertising executives, and artists. It harnessed American universities and their professors to create propaganda and add legitimacy to its mission. Even as Creel insisted that the CPI was a conduit for reliable, fact-based information, the office regularly sanitized news, distorted facts, and played on emotions. Creel extolled transparency but established front organizations. Overseas, the CPI secretly subsidized news organs and bribed journalists. At home, it challenged the loyalty of those who occasionally questioned its tactics. Working closely with federal intelligence agencies eager to sniff out subversives and stifle dissent, the CPI was an accomplice to the Wilson administration’s trampling of civil liberties. Until now, the full story of the CPI has never been told. John Maxwell Hamilton consulted over 150 archival collections in the United States and Europe to write this revealing history, which shows the shortcuts to open, honest debate that even well-meaning propagandists take to bend others to their views. Every element of contemporary government propaganda has antecedents in the CPI. It is the ideal vehicle for understanding the rise of propaganda, its methods of operation, and the threat it poses to democracy.


Biçim seçin
pdf kindle epub doc
yazar
Boyutlar ve boyutlar
Tarafından yayınlandı

28 Şubat 2018 Kolektif 4 Ocak 2017 21,6 x 0,2 x 27,9 cm 21,6 x 0,6 x 27,9 cm 20,3 x 0,6 x 25,4 cm 14.81 x 0.48 x 21.01 cm Babadada Gmbh 31 Ağustos 2012 HardPress Publishing 1 x 13,5 x 21 cm Icon Group International Collectif 21 Ekim 2020 United States Congress 5 Ocak 2017 17.78 x 0.61 x 25.4 cm 3 Ocak 2017
okumak okumak kayıt olmadan
Sürüm ayrıntıları
yazar John Maxwell Hamilton
isbn 13 978-0807170779
Yayımcı LOUISIANA ST UNIV PR
Boyutlar ve boyutlar 15.56 x 4.6 x 23.5 cm
Tarafından yayınlandı Manipulating the Masses: Woodrow Wilson and the Birth of American Propaganda 21 Ekim 2020

En son kitaplar

benzer kitaplar

Protecting Children, Creating Citizens: Participatory Child Protection Practice in Norway and the United States


okumak kayıt olmadan
La logística de las legiones romanas


okumak kayıt olmadan
Notebook: Mitsuke: Ferryboats on the Tenryu River (Mitsuke, Tenryugawa no funawatashi)—No. 29, from the series Fifty-three Stations of the Tokaido ... c. 1847/52, Utagawa Hiroshige 歌川 広重, Japanese


okumak kayıt olmadan
Notebook: Twilight Moon at the Ryogoku Bridge (Ryogoku no yoizuki), from the series Famous Views of the Eastern Capital (Toto Meisho), c. 1831, ... 1797-1858, Japan, Color woodblock print, oban


okumak kayıt olmadan
Notebook: Mariko—No. 21, from the series Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi), also known as the Reisho Tokaido, c. 1847/52, ... 1797–1858, Japan, Color woodblock print, oban


okumak kayıt olmadan
Notebook: Uraga in Sagami Province (Soshu Uraga), from the series Harbors of Japan (Nihon minato zukushi), c. 1840/44, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, oban


okumak kayıt olmadan