The Classical Body in Romantic Britain (Paul Mellon Centre for Studies in British Art) okumak kayıt olmadan

The Classical Body in Romantic Britain (Paul Mellon Centre for Studies in British Art)

Ders Kitapları

A radical, lively departure from received notions about art of the Romantic period For many, the term "neoclassicism" has come to imply discipline, order, restraint, and a certain myopia. Leaving the term behind, this book radically challenges enduring assumptions about the art produced from the late 18th century to the early Victorian period, casting new light on appropriations of the classical body by British artists. It is the first to foreground the intersections of gender, race, and class in discussions of British visual classicism, laying bare artists' alternately politicizing and emphatically sensual engagements with Greco-Roman art. Rather than rely exclusively on subsequent scholarship, the book takes up the poet John Keats (1795-1821) as a theoretical framework. Eschewing the "Golden Age" narrative, which sees J. M. W. Turner (1775-1851) as the pinnacle of the period's artistic achievement, the book examines overlooked artists, such as Henry Howard (1769-1847) and John Graham Lough (1798-1876). The result is a fresh account of underappreciated works of British painting and sculpture.

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ERWIN N GRISWOLD Mdpi AG 18,9 x 0,6 x 24,6 cm WADE H MCCREE 3 Ocak 2017 28 Ekim 2011 1 Ocak 2017 18,9 x 0,4 x 24,6 cm 29 Ekim 2011 Kolektif 18,9 x 0,5 x 24,6 cm 18,9 x 0,2 x 24,6 cm Additional Contributors ROBERT H BORK 30 Ekim 2011 28 Şubat 2018 18,9 x 0,3 x 24,6 cm 15 x 0,5 x 22 cm

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